Garry Winogrand Essay -- Essays Papers

Garry Winogrand Gary Winogrand’s photography vocation started when a companion acquainted him with it in 1948 while taking work of art classes at Columbia University. After Winogrand’s first introduction to the darkroom, he deserted artwork and â€Å"never looked back.† Winogrand turned out to be incredibly developed in photography and felt that nothing else in life made a difference. He dropped out of school to seek after his enthusiasm. Procuring a normal of ninety pennies for every week, he had a troublesome yet decided start. Winogrand didn't worry about issues that were influencing society and along these lines didn't generally interest the mass open. Winogrand’s long and effectively easily proven wrong vocation experienced numerous turns and impediment that eventually driven him to get one of the most noted picture takers of the late twentieth century. Winogrand found photography at a point in time when flighty photographs were simply starting to rise. Despite the fact that it was felt that photojournalism had offered the most chance, this new and whimsical bearing of photography was liked. Specialists were currently ready to shoot what they wanted not what they were advised to shoot. This progressive type of photography depended on feeling and instinct rather than accuracy and portrayal. Investigating genuine turned out to be a greater amount of the center, rather than determined or arranged out pictures. In the mid fifties, Winogrand endeavored to turn into an independent picture taker, however the cash he was making was not adequate enough to help his new spouse and youngsters. He had to invest the greater part of his energy working for magazines, for example, Colliers, Redbook, and Sports Illustrated. Right now Winogrand’s photo’s had no qualification from some other photojournalist, yet he generally felt extraord inary and hung tight for the opportunity to demonstrate it. He once stated, â€Å" The best stories were those that had no story line†¦on entertainers†¦or athletic challenges, where the picture taker could overlook account and focus on development, substance, signal, show, and human faces†(Szarkowski, p17). By the mid sixties, Winogrand’s marriage was starting to come up short. He got baffled with his better half Adrienne on the grounds that she would not ignore her enthusiasm for turning into an artist and go to work to help his craving to turn into a picture taker. It was during time that Gary turned out to be very distracted with shooting ladies in the city of N... ...ich sort of shoes, totes, shades, and hairdos were generally well known. The activities, signals, and considerations of these individuals both state and infer numerous things. The individual of color and white lady on the left appear to be occupied with a discussion. The white lady sitting close to her strength be murmuring regarding the way that the other lady is conversing with a person of color, which could additionally suggest that this activity of talking outside of one’s race was not ordinarily acknowledged. The more seasoned man on the privilege may not be keen on cutting edge thoughts, leaning toward increasingly moderate things, for example, a paper. Albeit each figure is engaged with something else, their activities appear to have an association with each other. Winogrand shot a wide perspective on this scene, yet at the same time figured out how to catch a private depiction of every individual. There are various potential stories and inquiries regarding every individual sitting on the seat. Winogrand causes the watchers to contemplate ov er every articulation and connection, making them wish they were perched on the seat, listening stealthily regarding the matters. Reference index Szarkowski, John. Winogrand: Figments From The Real World. New York: The Museum of Modern Art, 1988.

Socail Darwinism Essays - Herbert Spencer, Biological Evolution

Socail Darwinism Darwin isn't answerable for 'Social Darwinism.' War and abuse have consistently been segments of mankind's history, anyway with the presentation of Darwin's hypothesis of development man had another legitimization for his savagery. Darwin's thoughts advanced a superman or super-race reasoning. The prime segment of Darwin's thoughts spins around the idea that life advances by characteristic choice - natural selection. Couple this with the bigot culture in the logical universe of his day and you have the motivation to seek after any exploitive plan. Might makes right, so why not broadcast yourself the ace race and overcome others? Theodore Roosevelt expressed that a racial war to the get done with the Indians was unavoidable and there ought to be a spread of English-talking individuals everywhere throughout the world (Morris 1989, 68-70). Some may state that Social Darwinism is the underlying driver of the entirety of the world's ebb and flow issues. Social Darwinism drives people just as social, ethnic, or strict gatherings, and furthermore countries to go up against others, gatherings, or countries since they feel somehow or another predominant or think they just normally need to contend. As we probably am aware the practices by which ground-breaking countries or people groups look to broaden and keep up control or impact over more fragile countries or people groups is Imperialism and, expansionism for the most part recommend formal political control, including regional takeover and loss of self-government. The aim is to comprehensively to control or impact either officially or casually, legitimately or by implication, strategically or monetarily. Every supreme state endeavored to control the exchange of its settlements, so as to obtain the advantages of that exchange. States sought after force for an assortment of reasons: by the need to extend their economies, by the craving for security, and discretionary points of interest. Social Darwinism is that procedure and which up individuals inside the country chooses to force their direction or reasoning of life for example monetary structure, social principles, and procedures with the goal to command and control. This procedure is satisfied over numerous years centering a financial, social, official target. At the point when a country exists in a steady condition of development utilizing determined, versatile goals that advances forward portability, represents Social Darwinism. The fundamental American demeanor since the beginning has been striking by plan and left their country to actualize their local traditions. In the psyches of most Americans it has been installed into the essential American reasoning. Throughout the years the endeavors to accommodate one social gathering into the methods of another, many accept, has made this nation so noticeable ...yet at what cost. We have battled wars to make sure about power inside and abroad, gaining by the forward force realizing that history has instructed us that lone the solid will endure. Social Darwinism, as the name obviously suggests, is the use of Darwinian hypothesis to human culture. Supporters utilize the hypothesis both inside single country states, to legitimize inner imbalances between residents. Society isn't nature; rather it is a fake structure explicitly intended to maintain a strategic distance from the hazards of the normal world. In human culture the aggregate undertaking is to ensure the most fragile individuals, the individuals who might be helpless in the condition of nature, and permit them indistinguishable rights from the most grounded. Society was not made to profit the solid, to concede them power over the frail. All men are made equivalent is the precept human progress in a perfect world endeavors to perceive yet singular childishness consistently endeavors to revile. Individuals don't adjust to their condition as much as they endeavor to transform it. That is the reason for social collaboration: to change nature. Human culture, as a Social Darwinist professes to see it, isn't a type of higher request level of nature; human culture, in contrast to numerous creature social orders, doesn't advance and adjust to the characteristic world; human culture attempts to change the substance of the common world. Individuals want to adjust the world and their general public to themselves, not the other way around. Martin Luther King constrained America to transform, he had not, somewhat, adjusted to (or, all the more precisely, acknowledged) its infectious contempt of the dark man then he should never have existed. Human culture doesn't exist together with nature; it endeavors to transcend it. Human culture, not at all like

Comparing The Simpsons and Aristophanes Clouds Essay -- comparison, c

Tomorrow on the Simpsons, Homer will find that Bart has taken his Visa and charged $10,000 worth of Bothersome and Scratchy stock. Having no expectation for taking care of this obligation, Homer chooses to go to graduate school since he can't bear to enlist a chapter 11 legal counselor. The acclaimed legal advisor, who shows classes, sends a despondent Homer home to recover his child, for Homer is excessively foolish to conceivably gain proficiency with the methods for the courts. As Bart moves on from graduate school, he utilizes his freshly discovered abilities of contention to persuade the courts that his folks are crazy, his sister Lisa has the right to be in an all inclusive school, and he ought to have the option to put his most youthful sister up for appropriation. Unfit to see another way, Homer tears down the dividers of the Springfield Law School, assaulting the well known legal counselor for destroying his life. On numerous levels, this is a common scene of The Simpsons, o ne I am certain any Simpson's fan would appreciate. The main issue is this isn't a scene of The Simpsons, and it won't air tomorrow. This rundown didn't originate from the TV Guide, rather it is a refreshed adaptation of Aristophanes' popular satire, Clouds. In spite of the fact that it might come as an amazement, a large number of the components of America's preferred animation are really similar components utilized by Aristophanes numerous hundreds of years prior in his comedic show, Clouds. There are numerous similitudes between the principle characters of Aristophanes' Clouds and the cutting edge TV most loved The Simpsons. The primary correlation with be made is between the dad figures Strepsiades and Homer Simpson. In spite of the fact that isolated by hundreds of years of changes, Strepsiades and Homer offer an astonishing number of essential character qualities. To start with, they share an absence of scholarly quality; set forth plainly, the two characters are incre... ...98. Carey, Donick. The Simpsons Archive. D'oh-in' in the Wind. 6 Nov. 2000. Ed. Benjamin Robinson. 6 Sept. 2011. Chen, Raymond, Ed. The Simpsons Archive. Treehouse of Horror II 6 Nov. 2000. 6 Sept. 2011. Greaney, Dan. The Simpsons Archive. I'm With Cupid. 6 Nov. 2000. Ed. Benjamin Robinson. 6 Sept. 2011. Meyer, George. The Simpsons Archive. Homer the Heretic. 6. Nov. 2000. Ed. Chris Baird. 6 Sept. 2011. Scully, Mike. The Simpsons Archive. Lisa's Rival. 6 Nov. 2000. Ed. James A. Cherry. 6 Sept. 2011. Vitti, Jon. The Simpsons Archive. Mr. Furrow. 6 Nov. 2000. Ed. James A. Cherry. 6 Sept. 2011.

Latino/a Sexuality and the Heteronormative - Literature Essay Samples

In his novel The Brief and Wondrous Life of Oscar Wao, Junot Dà ­az examines Latino identities and sexuality, and the ways in which both are affected and informed by violence. This violence is enacted through institutions like the state, through representation and misrepresentation, and by the very nature of sex and sexuality. Dà ­az gives an analysis of identity and sexuality, pointing to the way in which it is not only formed and generated by oneself, but also put on and impressed, through violence or with violent repercussions.Reinaldo Arenas’s autobiography Before Night Falls conveys similar themes as Dà ­az’s novel about the way in which sexuality is policed through violence from the stateparticularly in the form of dictatorships. Arenas depicts life in Cuba at the time of Castro, discussing how Castro, and the state, presented homosexuality as evidence of being unpatriotic and against nationalism, as well as grounds for torture and imprisonment. Many of the men who engage in homosexual acts are not homosexual themselves, and it is in fact such policing that causes more sex acts to occur. This environment of violence and sexuality, then, also carries over to all other aspects of life. Similarly, Dà ­az discusses the way sexuality comes into play in the Dominican Republic, during the time of Trujillo. Oscar’s mother Belà ­ falls prey to the violence of the state in the form of an attack sanctioned by Trujillo’s sister, who does not agree with her relationship with her husband, the Gangster. In this way Dà ­az, like Arenas, dismantles the idea of the state as a noble protector and enforcer of just laws, illustrating the ways in which it in fact carries out injustices, and performs its own agenda. Both authors also describe how such violent enforcement does not garner successBelà ­ continues to have an amorous relationship with the Gangster, even after the attack, and Arenas continues to have sex with men, in fact g aining more opportunities for sex acts due to state oppression.Foucault, in his The History of Sexuality, discusses the idea of the repressive hypothesis, talking about how sexuality is thought of as having a history of repression, and discussions of sexuality have been withheld since the Victorian era. Foucault points to the inaccuracy of this claim, stating that silence itself performs a certain kind of discourse, and the repression of discourses on sexuality are instrumental in their formation. Dà ­az, too, discusses a similar idea regarding the withholding of informationhe relates a story in which Abelard, Oscar’s grandfather, is imprisoned and violently tortured by Trujillo for hiding away his daughter and wife from his rapacious sexual appetite. He then contrasts this narrative with mention of another possible reason for his imprisonment, relaying information about a possible book that Abelard could have written about Trujillo, displaying the supernatural qualities of Trujillo and his regime. In doing so, Dà ­az gives mentions la pagina blanca, the information that is missing or unknown from such narratives, and the ways in which it can speak louder than any words can. The erasure of violence from public knowledge, as well as the erasure for the reasons for its production, does not remove knowledge of its existence or its effects. In this way, sexuality and violence, even when being given the illusion of being silenced, emerge and are spoken about even through its absence from public discourse.Ricardo L. Ortà ­z, in his article â€Å"Cultural Erotics of Cuban America† analyses the impact of Arenas’s life and death. As a homosexual, Arenas was placed outside of the context of Cuban nationalism, even being categorized as a terrorist subject in regards to his homosexuality, and through his death, Arenas simultaneously reaffirmed his identity as a Cuban in spite of being outside of Castro’s nationalist project, and attac ked him as the cause of his death. Ortà ­z discusses Arena’s death in a pro-life context of protest through calling attention to the flaws and injustices of the Cuban government, while claiming sexuality as an element necessary for sustaining life. Similarly, Dà ­az constructs a similar understanding of Oscar’s death in his novel. Oscar essentially commits suicide by choosing to stay with Ybà ³n, in spite of knowing that her violently angry boyfriend will come after him. As Ybà ³n’s boyfriend is employed by the state, he can be seen as a manifestation of its violence, as well as a re-embodying of the violence of state enacted in past times, to Belà ­. Oscar’s sexuality comes to be the cause of his death, and he comes to fulfill his Dominican identity through its expression. As such, both authors point to the nature of protest through death and beyond life, and Latino sexuality as crucial to understandings of Latino identity.Further, the state c an be evidenced as manipulating representations of sexuality for its own aims. In A Queer Mother For a Nation, Licia Fiol-Matta analyzes how the state became encapsulated in the image of Gabriela Mistral, and why she became a symbol for the nation. Mistral’s masculine, gender-queer identity and demeanor allowed her to be taken seriously in spite of being female, and still encompass desired state-sanctioned feminine traits like motherhood. Mistral followed in the state’s racist rhetoric, maintaining an â€Å"othering† gaze against blacks and pushing for racial cleansing through producing more white-mixed offspring. This racist rhetoric provided the state with a language in which to â€Å"other† black populations through the passive violence of exclusion and negative representation. Similarly, Dà ­az presents the figure of Oscar Wao in an interestingly contradictory light. He does not possess any of the traits of a stereotypical Dominican, and throug hout his life finds it extremely difficult to flirt, date, or have sex with any girls because of his extremely nerdy and socially awkward personalityeventually coming to do violence to himself in part because of his inability to perform this aspect of his identity and sexuality. In spite of this, he eventually fulfills the saying that no Dominican man dies a virgin, by having sex with his prostitute girlfriendand in doing so comes to exemplify the idea that even as an exception to the rule, he can perform his â€Å"Dominican-ness† to the fullest. As such, Dà ­az examines in a tongue-in-cheek manner the way Latino bodies are stereotyped, even inside of the Latino community, and the violence of this type of representation, as well as the affect it can have on identity. In this way, both authors discuss the politics of representation and the contradictory and performative nature of identity and sexuality.Philippe Bourgois, in his anthropological analysis of Puerto Rican stre et life depicted in In Search of Respect: Selling Crack en El Barrio performs a similar violence through his representation of Latino bodies. As an outsider to this community, Bourgois casts an â€Å"othering† gaze on Puerto Rican crack dealers and creates a culture of difference between readers (as well as himself) and the members of the community he depicts. One of the aspects of this distance comes from an eroticisation of violence in the name of providing unadulterated truth (and of course, for consumer marketability)which brings to mind questions of, when is it okay to reproduce structures of violence, when doing so produces the same violence? Dà ­az asks a similar question in his reproduction of stereotypes of oversexed, hypersexual Dominicans in the figures of Yunior and Oscarwhat is authorial responsibility, especially in regards to the understandings of readerships? How can this violence be avoided? Dà ­az himself constructs problematic depictions of females a nd female sexuality, describing women in a somewhat chauvinistic lightmany of the female figures are represented as objects for the males to conquer through sexual pursuit. For both authors, the replication of such structures supports and reproduces racist and sexist ideas through consumerism. Such ideas then become part of a system of capitalism, providing interesting implications regarding the â€Å"selling† of problematic constructions of identity and sexuality. And as sexuality plays a large part in understandings of the formation of identity, these types of representations can have the effect of creating an environment in which violence becomes normalized in everyday consciousness.In his theoretical work Disidentifications, Josà © Esteban Muà ±oz discusses his theory of disidentification, stating the ways in which categorization through sexuality and race, among other things, allows for a dismissal of or limiting understandings of identity. Disidentification, then, becomes a survival strategy, a way of avoiding the way in which representation can be unrelatable, or reproduced through the systemic violence of rearticulation. Much as Muà ±oz examines the work of Carmelita Tropicana or Marga Gomez, and how they reclaim possibly harmful representations through camp, Dà ­az reproduces tongue-in-cheek stereotypes of Dominican identity and sexuality, and provides alternative representations of Latino identity and sexuality through his characters. Lola, for example, is represented as having a very present sense of sexuality, but is costumed in the role of a â€Å"goth.† Both writers point to the importance of the multiplicity of identity, and find ways to articulate Latino identity and sexuality that do not conform with the violence of heteronormative ideals. Junot Dà ­az examines the nature of identity and sexuality in regards to Latino bodies, and the ways in which they are impressed, manipulated, or reproduced through violence. Disid entification, perhaps, provides a necessary step towards providing an alternative consciousness and understanding of identity that does not become enmeshed in the culture of differenceand asks further questions about the way hegemonic society, institutions, and normalized violence enforces and regulates these ideas. How, then, can we use disidentification to further remove ourselves from the violent and harmful heteronormative? And what are the ways we can imagine ourselves in a more broad, inclusive sense of being?

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Essay on The Mystery of the JFK Assassination - 816 Words

The Mystery of the JFK Assassination The assassination of JFK affected the lives of many that were alive during his presidency and forever impacted history. His assassination is shrouded in mystery, and to this day no one knows exactly what happened. He was the youngest elected president, and the youngest president to die in office. JFK was many things. Among these, he was the youngest president, youngest president to die in office, and the first Roman Catholic president (Merriam Websters). Since it was well known JFK a civil rights activist, since it was well known he was disliked by many southerners. Despite having enemies in the south Kennedy had made it clear he wanted to campaign in Florida and Texas, as he knew that not winning†¦show more content†¦Ã¢â‚¬ ¦ on Saturday November 23 the FBI announced that the rough fingerprints they found on the Mannlicher-Carcano were insufficient for the purposes of†¦ identification†¦ [and] were of no value. On November 29, however, the FBI announced that it had found a palm print on the rifle. (Kallen, 52). Oswald, however, never got trial because he was shot by Jack Ruby. Many people believe that Oswald was not working alone. There was a shot to the back of the head of Kennedy, but the shot that killed him came from the front. He fell backwards when he was shot the second time. People next to the president reported having smelled gunpowder right after the shot, but if Oswald was in the depository building then there was no way the smell of gunpowder could have reached the ground so quickly. It takes over two seconds to shoot a second bullet from a Mannlicher-Carcano rifle, and there was less than two seconds between the first shot and second shot, it couldnt have possibly just been Oswald (Kallen, 35). Jack Ruby, the man who shot Oswald, had made several deals with major mafia leaders and supposedly worked for Al Capone. Carlos, one of the leaders of the mafia, had obtained 1.1 billion dollars from illegal activities, and made him the largest organization in Louisiana, making him a ta rget in the Kennedy administration. Carlos was eventually caught and deported toShow MoreRelatedThe Mystery of the JFK Assassination744 Words   |  3 Pagesâ€Æ' The Mystery of the JFK assassination The assassination of JFK affected the lives of many that were alive during his presidency and forever impacted history. His assassination is shrouded in mystery, and to this day no one knows exactly what happened. He was the youngest elected president, and the youngest president to die in office (The White House) JFK was a civil rights activist, because this was well known he had made enemies with many southerners in that time period. Despite these enemiesRead MoreMystery of Who Killed John F Kennedy1483 Words   |  6 PagesDue to the vast speculations of the assassination of John F. 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He tried very hard to not get involved in what would turn into the â€Å"Cold War† since the US had just gotten out of war from World War II ending and since the people of the US were very against another war. JFK, although he was a very popular politician, had a few enemies who didn’t agree with how he governed our country. And while going on a campaign tour in Dallas, Texas, he met one of his enemies and was assassinated on November 22, 1963. He was shot while

Mrs. Dalloway - Virginia Woolf free essay sample

Virginia Woolf Modernism is a literary movement in which writers believed new forms of expression were necessary to relay the realities of a modern and fractured world. The modernist movement was concerned with creating works of art relevant to a rapidly changing world in which institutions such as religion, capitalism, and social order were thrown into question by new and confusing ideas, technologies and world events such as World War l. Virginia Woolf, one of the most eminent Modernist writers, utilised stream of consciousness, for example, to convey a characters interior thoughts. Contemporaries included James Joyce and D. H. Lawrence. Virginia Woolf, an English novelist and critic, believed that the life of the mind was always more fascinating than a persons external behaviours. In her life, and in her art, she sought to push beyond existing boundaries in search of a deeper truth that lay beneath the surface. Woolf, along with her husband and their circle of intellectual friends, known as the Bloomsbury Group, helped to shape twentieth century ideas about art, literature, gender, and sex. We will write a custom essay sample on Mrs. Dalloway Virginia Woolf or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page By demanding her own intellectual freedom, Virginia Woolf opened the door for other artists to do the same. Rapid political and social change marked this period, especially between the two world wars. Mrs. Dalloway portrays the shifting political atmosphere through the characters Peter Walsh, Richard Dalloway, and Hugh Whitbread. However, it focuses more deeply on the changed social mood through the characters Septimus Warren and Clarissa Dalloway. Although Septimus seems dissimilar to Clarissa, he embodies many characteristics Clarissa shares and thinks in much the same way she does. Septimus offers a contrast between the conscious struggle of a working-class veteran and the blind opulence of the upper- lass. Constantly overlaying the past and present, Clarissa strives to reconcile herself to life despite her memories. Septimus, on the other hand, feels almost guilty about his past. His struggles call into question the legitimacy of the English society he fought to preserve during the war. Septimus chooses to escape through suicide. Mrs. Dalloway takes place after World War l. The war changed peoples ideas of what English society should be. The understanding is difficult between those who support traditional English society (Richard, Lady Burton and Hugh Whitbread) and those who ope for continued change (Septimus and Clarissa). English citizens, including Clarissa, Peter and Septimus feel the failure of the empire as strongly as they feel their own personal failures. Woolf uses modernist techniques to tap into minds of her characters while they all search to find their own identities. Mrs. Dalloway is one of the many novels under the Modernist literature genre. Modernist literature was filled with many new types of writing techniques including multiple narrative points of view, a new sense of the stream of consciousness, and take on a pessimist role over an optimist role. In Mrs. Dalloway, published in 1925, Woolf presents a new literary form capable of expressing the new realities of post-war England. The novel presents the subjective experiences and memories of central characters over a single day in post-World War I London. The structure of the novel highlights the interwoven especially the protagonist Clarissa Dalloway, by using a style referred to as stream of consciousness. Time and psychology also play a large role for Woolf, and she incorporated these issues into her novel. By incorporating her characters through time and psychology, Woolf shows her characters in flux, rather than static; haracters who think and emote as they move through space, and react to their surroundings in ways that mirrored actual human experience. The novel Mrs. Dalloway traces a single day in the life of British socialite Clarissa Dalloway as she prepares for a party she will be hosting that evening. The story travel backwards and forwards in and out of time of the characters minds to construct an image of Clarissas life and of the inter-war social structure. Although the action of the novel takes place in a single day, the interior thoughts of the characters, much like the thoughts of real people, leap forward and backward across time and place. In achieving this, Woolf was able to represent how people think; not Just how they do things. The multiple narrative points of view assisted Mrs. Dalloway in being considered different than most examples of Modernist literature. It is a key characteristic of Modernist literature as this style gives an insight into the different characters minds as each character has a turn as narrator. Virginia Woolf plays on time and space. By manipulating this, the readers feel as though they are standing still when in reality the June day in Woolfs novel is still in motion, and the characters still conversing. This effect is achieved through flashbacks of characters such as Clarissa Dalloway, Peter Walsh and Septimus Warren Smith, which work to take the spotlight away from the conversations which are taking place. The reader also has a sense of being motionless due to the thoughts and impressions of many characters that are thinking at the same time. An example of this can be seen with the airplane. This scene depicts the characters attempting to think, all at the same time, what the plane could be writing in the air while people in the streets still walk buy. Stream of consciousness is a depiction of a characters uninterrupted and endless flow of houghts, feelings, perceptions, and reactions. In working with this stream of consciousness, Woolf has shown us the development of a character or set of characters through their experiences and thoughts. This style appeared to be a key characteristic in the Modernist novel. Much of the novel is centred on Clarissas thoughts of what is occurring in the present moment and what had occurred in the past. Main streams of consciousness are found when Clarissa is thinking about Peter, wondering whether she would have been happier with him than with her husband, Richard. It is also used when Clarissa is searching for her own identity. By focusing on the thoughts and perceptions of characters, Woolf emphasises the significance of private thoughts rather than concrete events in a persons life. Woolf uses stream of consciousness to portray a fundamental part of Modernist literature, pessimism. Woolf moulds Mrs. Dalloway into a Modernist novel by showing the pessimistic outlooks of her characters. This is shown when Clarissa is in search for her identity, where she constantly questions whether she will find her purpose in life. It also makes itself present when Clarissa is thinking about what life with Peter would have een like. Clarissa never lets go of the doubt she feels about the decisions that have shaped her life. Septimus never has an optimistic outlook on life no matter how hard for him to ever be happy. Despite her own difficulties and the battle of internal demons, Virginia Woolfs fiction represented a shift in both structure and style. The world was changing, and as the world embarked the twentieth century, literature needed to change too in order to convey the new realities.